Boyac May 26

LUIGI BEVILACQUA: 
A NEW CHAPTER IN WALLCOVERING

Above hero image: LB Bevilacqua Classics collection on display in Italy.

FROM VENETIAN SILKS TO DECORATIVE WALLCOVERINGS

With a legacy dating back to 1499, Luigi Bevilacqua has long been synonymous with extraordinary silk craftsmanship. Now, that heritage takes on a new form with the debut of Bevilacqua Classics — the Venetian textile house’s first collection of decorative wallcoverings.

Above image: LB Fiere in colour Indigo

Drawing from Bevilacqua’s remarkable historical archive, the collection reintroduces some of the house’s most iconic motifs. While grounded in history, the collection is realised through high-definition digital printing, capturing the depth, colour and intricacy of the original designs. The wallcoverings themselves are crafted as textile surfaces, incorporating materials such as silk, linen and natural raffia, with select designs enriched by subtle lurex that catches the light.

Above image: LB Rinascimento in colours (left to right) Aquarelle, Macadamia, Celadon and Copper Rose.

Importantly for designers, the collection also delivers on performance. Produced in Italy using eco-friendly inks, the wallcoverings are fire-retardant and light-resistant, making them suitable for both residential and commercial interiors.

Above image: LB Grottesche in colour Grimani.


Industry News

Above image: Le Crin – Metaphores Paris – Challes – France. Photographed by Gaelle Le Boulicaut.

THE ART OF HORSEHAIR

There’s a certain restraint to horsehair – subtle, textural, and inherently architectural. At Le Crin, this noble fibre is woven entirely by hand in a single workshop in Challes, France. Strand by strand, using a technique unchanged since 1787, artisans produce just a few metres each day. The result is a textile defined by precision: luminous, exceptionally durable, and deeply tactile.

Above images: Le Crin – Metaphores Paris – Challes – France. Photographed by Gaelle Le Boulicaut.

For interiors, horsehair offers a balance of beauty and performance. Naturally resilient and resistant to wear, it lends itself to walling, joinery panels, and upholstery—particularly in high-use environments where longevity is essential. Its ability to catch and diffuse light brings depth without excess.

With Le Crin, horsehair moves beyond heritage. It becomes a material of intent—functional, enduring, and sophisticated.

Above image: Le Crin – Metaphores Paris – Challes – France. Photographed by Gaelle Le Boulicaut.


Whats On

260506 9

MELBOURNE DESIGN WEEK
14 – 24 MAY

Click here for details

AUSTRALIAN FASHION WEEK
SYDNEY

 11 – 15  MAY

Click here for details

260506 10
260506 11

ARCHIBALD, WYNNE & SULMAN PRIZE 2026
9 MAY – 16 AUG

Click here for details


In The Press

Above: Vogue Living March / April 2026 – Thomas Hamel uses MS Croisiere in colour Dune on chair upholstery.
Photographed by Anson Smart.


Indsider Favourites

Above clockwise from top left: LB Fiere in Oyster, LB Grottesche in Rezzonico, LB Walls in Milky Green and LB Paradiso in China Blue.